Over summer I had bought a piece of lino to cut and doing so provided me with the perfect relief over the course of an otherwise stressful task - moving house! Taking my favorite shapes out of their natural, fossil-like environment and introducing them to a new, more geometrically based realm, drawing parallels to my own experience. Still drawing similar references to my previous etching style - playing with negating and positive space and the possibilities different layers and transparencies can offer. I drew strong references from a trip to Bristol where I came across some of the most astounding street work I have ever seen after the street art festival,
See No Evil.
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The lino plate in the final stages of being cut out |
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Multi tonal, 180 plate rotation print on some beautiful, Japanese, Tosa Washi paper. |
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My workspace - inking up the tile and having fun mixing bright colours! |
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Who would have thought one person could use so many cotton wool buds in one go... | | | |
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Colour proof on newsprint. |
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My favorite result - in my opinion, the best use of colour from what was produced. |
I am liking these new prints Katy... love the photos of your table of all the colours and buds!
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